<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Teatro on Scholion</title><link>https://scholion.thluiz.com/tags/teatro/</link><description>Recent content in Teatro on Scholion</description><generator>Hugo -- gohugo.io</generator><language>pt-BR</language><copyright>© 2026</copyright><lastBuildDate>Wed, 27 May 2026 21:26:22 +0100</lastBuildDate><atom:link href="https://scholion.thluiz.com/tags/teatro/index.xml" rel="self" type="application/rss+xml"/><item><title>Experience is the name everyone gives to their mistakes</title><link>https://scholion.thluiz.com/notes/wilde-experience-name-mistakes/</link><pubDate>Fri, 08 May 2026 10:08:19 +0100</pubDate><guid>https://scholion.thluiz.com/notes/wilde-experience-name-mistakes/</guid><description>De Lady Windermere&amp;rsquo;s Fan, Ato III — Dumby, em conversa de fumódromo. Eufemismo invertido que Wilde repetiria em Dorian Gray com pequena variação.</description></item><item><title>I can resist everything except temptation</title><link>https://scholion.thluiz.com/notes/wilde-resist-everything-except-temptation/</link><pubDate>Fri, 08 May 2026 10:08:19 +0100</pubDate><guid>https://scholion.thluiz.com/notes/wilde-resist-everything-except-temptation/</guid><description>De Lady Windermere&amp;rsquo;s Fan, Ato I — Lord Darlington flertando com Lady Windermere. Uma das fórmulas mais imitadas do humor wildeano.</description></item><item><title>Nothing succeeds like excess</title><link>https://scholion.thluiz.com/notes/wilde-nothing-succeeds-like-excess/</link><pubDate>Fri, 08 May 2026 10:08:19 +0100</pubDate><guid>https://scholion.thluiz.com/notes/wilde-nothing-succeeds-like-excess/</guid><description>De A Woman of No Importance, Ato III — Lord Illingworth. Reversão do provérbio Nothing succeeds like success, atribuído a Dumas pai.</description></item><item><title>The only difference between the saint and the sinner is that every saint has a past, and every sinner has a future</title><link>https://scholion.thluiz.com/notes/wilde-saint-sinner-past-future/</link><pubDate>Fri, 08 May 2026 10:08:19 +0100</pubDate><guid>https://scholion.thluiz.com/notes/wilde-saint-sinner-past-future/</guid><description>De A Woman of No Importance, Ato III — Lord Illingworth. Inversão de catequese que Wilde vai retomar implicitamente em De Profundis.</description></item><item><title>The truth is rarely pure and never simple</title><link>https://scholion.thluiz.com/notes/wilde-truth-rarely-pure-never-simple/</link><pubDate>Fri, 08 May 2026 10:08:19 +0100</pubDate><guid>https://scholion.thluiz.com/notes/wilde-truth-rarely-pure-never-simple/</guid><description>De The Importance of Being Earnest, Ato I — Algernon a Jack. Linha que abre uma sequência sobre mentira e respeitabilidade.</description></item><item><title>To lose one parent, Mr. Worthing, may be regarded as a misfortune; to lose both looks like carelessness</title><link>https://scholion.thluiz.com/notes/wilde-lose-one-parent-carelessness/</link><pubDate>Fri, 08 May 2026 10:08:19 +0100</pubDate><guid>https://scholion.thluiz.com/notes/wilde-lose-one-parent-carelessness/</guid><description>De The Importance of Being Earnest, Ato I — Lady Bracknell ao examinar Jack Worthing. Linha mais citada da peça mais citada de Wilde.</description></item><item><title>We are all in the gutter, but some of us are looking at the stars</title><link>https://scholion.thluiz.com/notes/wilde-gutter-looking-at-stars/</link><pubDate>Fri, 08 May 2026 10:08:19 +0100</pubDate><guid>https://scholion.thluiz.com/notes/wilde-gutter-looking-at-stars/</guid><description>De Lady Windermere&amp;rsquo;s Fan, Ato III — Lord Darlington em sua sala de fumar, em meio a uma roda de homens da sociedade. Inscrição na sepultura de Wilde no Père-Lachaise.</description></item><item><title>What is a cynic? A man who knows the price of everything and the value of nothing</title><link>https://scholion.thluiz.com/notes/wilde-cynic-price-value/</link><pubDate>Fri, 08 May 2026 10:08:19 +0100</pubDate><guid>https://scholion.thluiz.com/notes/wilde-cynic-price-value/</guid><description>De Lady Windermere&amp;rsquo;s Fan, Ato III — Lord Darlington responde a Cecil Graham. Definição que se descolou da peça e virou aforismo independente.</description></item><item><title>A Igreja repudiava no ator a multiplicação herética de almas</title><link>https://scholion.thluiz.com/notes/igreja-repudiava-ator-multiplicacao-heretica-almas/</link><pubDate>Sat, 18 Apr 2026 19:26:00 +0100</pubDate><guid>https://scholion.thluiz.com/notes/igreja-repudiava-ator-multiplicacao-heretica-almas/</guid><description>Camus em O Mito de Sísifo (1942), capítulo Drama. A Igreja via no ator uma heresia: viver várias almas negava a unicidade da alma que a doutrina exigia.</description></item><item><title>O ator reina no perecível. De todas as glórias, a dele é a mais efêmera. Mas todas as glórias são efêmeras</title><link>https://scholion.thluiz.com/notes/ator-reina-no-perecivel-glorias-efemeras/</link><pubDate>Sat, 18 Apr 2026 19:23:29 +0100</pubDate><guid>https://scholion.thluiz.com/notes/ator-reina-no-perecivel-glorias-efemeras/</guid><description>Camus em O Mito de Sísifo (1942), capítulo Drama. O ator é o herói absurdo que sabe que sua glória morre com ele. Mas toda glória morre — ele apenas não se engana.</description></item></channel></rss>