<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Shuhari on Scholion</title><link>https://scholion.thluiz.com/tags/shuhari/</link><description>Recent content in Shuhari on Scholion</description><generator>Hugo -- gohugo.io</generator><language>pt-BR</language><copyright>© 2026</copyright><lastBuildDate>Thu, 08 Oct 2026 23:27:47 +0100</lastBuildDate><atom:link href="https://scholion.thluiz.com/tags/shuhari/index.xml" rel="self" type="application/rss+xml"/><item><title>Is the source of shuhari Zeami's Fushikaden?</title><link>https://scholion.thluiz.com/notes/is-the-source-of-shuhari-zeamis-fushikaden/</link><pubDate>Thu, 08 Oct 2026 23:27:27 +0100</pubDate><guid>https://scholion.thluiz.com/notes/is-the-source-of-shuhari-zeamis-fushikaden/</guid><description>The investigation finds no confirmation that shuhari comes from Zeami’s Fūshikaden. It traces the term through tea and martial-arts reference works, while noting an entry linked it to Fūshikaden without the word itself appearing.</description></item><item><title>Shin-gyo-so (真行草)</title><link>https://scholion.thluiz.com/notes/shin-gyo-so/</link><pubDate>Thu, 08 Oct 2026 23:26:22 +0100</pubDate><guid>https://scholion.thluiz.com/notes/shin-gyo-so/</guid><description>A term for three levels of style in calligraphy and, by extension, in linked verse, flower arrangement, painting, gardens, etiquette, and performance, with value shifts differing between China and Japan.</description></item><item><title>Matsuoka Seigo, Senya Sensatsu 1252: Fujiwara Ryōzō's The Thought of Shuhari</title><link>https://scholion.thluiz.com/notes/matsuoka-seigo-senya-sensatsu-1252-fujiwara-ryozos-the-thoug/</link><pubDate>Thu, 08 Oct 2026 23:20:33 +0100</pubDate><guid>https://scholion.thluiz.com/notes/matsuoka-seigo-senya-sensatsu-1252-fujiwara-ryozos-the-thoug/</guid><description>Matsuoka traces shuhari from Buddhist and Zen ideas into tea, Noh, and martial arts, then through Kawakami Fuhaku and Chiba Shūsaku, arguing that practice advances by preserving, breaking, and departing from kata.</description></item></channel></rss>